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The Lakai nomads were an equestrian Uzbek people who used to decorate their horses in splendid cloths on special occasions.

In this gorgeous horse cover, the brilliantly colourful field and border designs have been placed on a black wool felt ground. The three large botehs in the central field, surrounded by small botehs, and the border designs of zoomorphous appearance are embroidered in wool yarn in the chain stitch technique.

The additional outer border is finely embroidered in silk in the petit point technique. Called "mafrash", these large flatweaves with four sides and a kilim base were used by the Shahsavan nomads like containers for storing utensils, and they also served as cargo bags during the annual migrations to the summer pastures.

Old photographs show camels carrying tall loads of mafrash containers. Mafrash lacking upper closure flaps, like this finely woven example in the sumakh technique, are usually attributed to the Moghan Shahsavan.

The design of horizontal stripes, with a deep blue central band containing large hooked diamonds and two narrower white bands, has been conceived to continue along all four panels.

Lenkoran Send to a friend Add to wishlist. Drawn in the characteristic Lenkoran style, the striking field design of huge palmettes interspersed with cartouches derives from older Caucasian silk embroideries.

It is not only encountered in Lenkoran rugs, but was also wide-spread in the Karabagh region and North West Persia.

The comparatively loose knotting structure using black-brown wefts and the very narrow main border of stars suggest that this example was woven in the Karabagh region.

Gaziantep Kilim Send to a friend Add to wishlist. This two-panel kilim was woven by a Turkmen tribal group living in Cilicia, close to the Syrian border.

At the time of weaving, the national territory of modern Syria belonged to the Ottoman Empire, and the nomads were able to move around freely. In the past, these finely woven, white-ground kilims with a field design of horizontal bars frequently appeared in the bazaar of Aleppo.

The Istanbul Vakiflar Museum holds a further example of this specific group inv. Shahsavan Rug Send to a friend Add to wishlist.

A rare Shahsavan pile rug woven on a wool foundation using red wefts. The red field contains five octagonal medallions in green and dark blue; each encloses a striking, alternately white or red star design filled with a wreath of stars surrounding a central rosette.

Each of the large devices is framed by four yellow triangles so that the whole entity assumes a box-like appearance.

Large rosettes are aligned in the white-ground border. Thompson has published another rug of the same group in "Carpet Magic".

In three places on the left, the rug has creases which extend far into the field. They have been cut and rejoined, resulting in a loss of small sections of the original length.

Kuba Sumakh Send to a friend Add to wishlist. The red field displays three huge cartouches outlined in white and enclosing smaller analogous devices.

The sections of the field left undecorated by the main design are densely covered in octagons, hooked diamonds, rosettes, box motifs and small ornamental devices.

An introduction to the Weavings of the tribes of Iran. In the Nomadic Tradition. Flat-Woven carpets of the Caucasus.

A Book About Kilims. The art of carpets from the tents, cottages and workshops of Asia. Please note that javascript is disabled in your browser constraining your browsing experience on this website!

Major Autumn Auction Saturday November at 3 p. Kazak Send to a friend Add to wishlist. In this small red-ground Kazak, the elongated format and rare field design are striking features.

Hooked diamonds and larger stepped polygons have been joined into a design bar along the central axis. New overcasting along the sides, both ends slightly reduced.

Lesghi Send to a friend Add to wishlist. Four large star devices, embedded in a basic design of small flowers, take up the whole of the blue field in this early Lesghi rug.

The white-ground main border is decorated with a leaf and calyx vine. The sides have been newly trimmed in a blue fabric, both ends reduced. Kordi Sumakh Bag Send to a friend Add to wishlist.

A single bag by the Khorasan Kurds. Woven in the sumakh technique, the face displays the characteristic diamond lattice design enclosing cruciform diamonds in compartments of varying ground colours; the back is a red kilim.

A finely and meticulously woven piece of striking visual effect in beautiful colours. Stanzer has illustrated an almost identical example.

Shahsavan Mafrash Send to a friend Add to wishlist. A side panel of a small-format Khamseh Shahsavan mafrash woven in the sumakh technique.

The design consists of wide horizontal stripes, with syrga motifs probably abstract representations of birds in the upper and lower bands and the typical tribal crosses in the central band.

Lakai Horse Cover Send to a friend Add to wishlist. The Lakai nomads were an equestrian Uzbek people who used to decorate their horses in splendid cloths on special occasions.

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Flachgewebe aus dem Iran. The art of carpets from the tents, cottages and workshops of Asia. Flat-Woven carpets of the Caucasus. A Book About Kilims.

Please note that javascript is disabled in your browser constraining your browsing experience on this website! Major Autumn Auction Saturday November at 3 p.

Kazak Send to a friend Add to wishlist. In this small red-ground Kazak, the elongated format and rare field design are striking features.

Hooked diamonds and larger stepped polygons have been joined into a design bar along the central axis. New overcasting along the sides, both ends slightly reduced.

Lesghi Send to a friend Add to wishlist. Four large star devices, embedded in a basic design of small flowers, take up the whole of the blue field in this early Lesghi rug.

The white-ground main border is decorated with a leaf and calyx vine. The sides have been newly trimmed in a blue fabric, both ends reduced.

Kordi Sumakh Bag Send to a friend Add to wishlist. A single bag by the Khorasan Kurds. Woven in the sumakh technique, the face displays the characteristic diamond lattice design enclosing cruciform diamonds in compartments of varying ground colours; the back is a red kilim.

A finely and meticulously woven piece of striking visual effect in beautiful colours. Stanzer has illustrated an almost identical example.

Shahsavan Mafrash Send to a friend Add to wishlist. A side panel of a small-format Khamseh Shahsavan mafrash woven in the sumakh technique.

The design consists of wide horizontal stripes, with syrga motifs probably abstract representations of birds in the upper and lower bands and the typical tribal crosses in the central band.

Lakai Horse Cover Send to a friend Add to wishlist. The Lakai nomads were an equestrian Uzbek people who used to decorate their horses in splendid cloths on special occasions.

In this gorgeous horse cover, the brilliantly colourful field and border designs have been placed on a black wool felt ground.

The three large botehs in the central field, surrounded by small botehs, and the border designs of zoomorphous appearance are embroidered in wool yarn in the chain stitch technique.

The additional outer border is finely embroidered in silk in the petit point technique. Major Autumn Auction Saturday November at 3 p.

Kazak Send to a friend Add to wishlist. In this small red-ground Kazak, the elongated format and rare field design are striking features.

Hooked diamonds and larger stepped polygons have been joined into a design bar along the central axis. New overcasting along the sides, both ends slightly reduced.

Lesghi Send to a friend Add to wishlist. Four large star devices, embedded in a basic design of small flowers, take up the whole of the blue field in this early Lesghi rug.

The white-ground main border is decorated with a leaf and calyx vine. The sides have been newly trimmed in a blue fabric, both ends reduced. Kordi Sumakh Bag Send to a friend Add to wishlist.

A single bag by the Khorasan Kurds. Woven in the sumakh technique, the face displays the characteristic diamond lattice design enclosing cruciform diamonds in compartments of varying ground colours; the back is a red kilim.

A finely and meticulously woven piece of striking visual effect in beautiful colours. Stanzer has illustrated an almost identical example. Shahsavan Mafrash Send to a friend Add to wishlist.

A side panel of a small-format Khamseh Shahsavan mafrash woven in the sumakh technique. The design consists of wide horizontal stripes, with syrga motifs probably abstract representations of birds in the upper and lower bands and the typical tribal crosses in the central band.

Lakai Horse Cover Send to a friend Add to wishlist. The Lakai nomads were an equestrian Uzbek people who used to decorate their horses in splendid cloths on special occasions.

In this gorgeous horse cover, the brilliantly colourful field and border designs have been placed on a black wool felt ground. The three large botehs in the central field, surrounded by small botehs, and the border designs of zoomorphous appearance are embroidered in wool yarn in the chain stitch technique.

The additional outer border is finely embroidered in silk in the petit point technique. Lenkoran Send to a friend Add to wishlist.

Drawn in the characteristic Lenkoran style, the striking field design of huge palmettes interspersed with cartouches derives from older Caucasian silk embroideries.

It is not only encountered in Lenkoran rugs, but was also wide-spread in the Karabagh region and North West Persia.

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